Death of a Magazine: How the WWE Magazine Stayed Down for the Three Count

By Dante Chavez ’24

Suzanne Valadon & The Female Nude

By Sophia Lennox ’24

Gendered Language at Washington College

By Keira Burger ’27

“I want to be great, or nothing”: Amy March and the Subversion of Societal Expectations

By Riley Dauber ’25

What Defines Time? An Analysis of Augustine’s Argument on the Past, Present, and Future

By Fiona Beck ’24

Society and the Bay: How the Fishing Industry Changed the Social Make-Up of the Chesapeake Region

By Sydney Walker ’26

Chrétien’s Complex “Perceval”: Commentary on the Knightly Code

By Heather Fabritze ’25

Jane Eyre and its Various Versions: An Exploration of Cover Art and Paratexts Within Multiple Editions of the Novel 

By Delaney Runge ’24

Oysters: Tragedy of the Commons, Barwick’s Ordinary, and Chapel Branch

By Xavier Smalls ’25

The Popularity of Illustrated Cartoon Covers in the Contemporary Romance Genre

By Riley Dauber ’25

Order in the Court: Parliamentary Procedure as Language in Washington College’s Student Government

By Elisabeth Braswell ’27

The Collide-oscope of Electronic Media, Literature, and its Impact on Literacy

By Sara Sypolt ’26

Sylvia Sleigh and Michael Greenwood: Painting a Tasteful Odalisque of Your First Husband

By Sophia Lennox ’24

Queer Teen Dramas: Homoerotic Subtext and Token Gays in Roberto Aguirre–Sacasa’s Riverdale

By Liam Charlotte Siobhan Luckey ’27

The Print Culture of Eastern Kentucky’s Pack Horse Library Scrapbooks

By Torey Simpson ’24

Shockwaves and Radiation: The Lingering Japanese War Trauma In The Manga Akira

By Faye Dorman ’26

Christianity and the Apocalypse: A Theological Lens into the End of the World

By Thomas Lundy ’27

“Home” and the Abyss in Jun Mochizuki’s Pandora Hearts

By Natalie Martinaitis ’25

Hot Coffee at McDonald’s as a Moral Conundrum

By Xavier Smalls ’25

Grace Hogsten ’25, Editor in Chief

Lucy Verlaque ’25, Managing Editor

Logan Monteleone ’27, Associate Editor