Editor’s Note

By Grace Hogsten ’25, Editor-in-Chief

A Consuming Fire: Imagery as Agency in Jahan Khatun and Hildegard von Bingen’s Writings

By Lucy Verlaque ’25

Featured Artist: Sheri Swayne ’26

“She should’ve stayed in the kitchen where she belongs”: Feminine Spaces in Susan Glaspell’s “A Jury Of Her Peers”

By Riley Dauber ’25

Queerness, Sweetness, and Male Friendship in Early Modern English Drama

By Jaya Basu ’24

Catalina de Erauso: Both a Feminine and Masculine Ideal

By Quinn Hammon ’26

Featured Artist: Katelyn Reggie ’25

Colonial History, Contemporary Artists, and the Museum

By Elizabeth Fitzpatrick ’25

Lancelot and Gawain: The Importance of Their Bond

By Courtney Poetsch ’25

Featured Artist: Lucy Verlaque ’25

Marriage Has Never Been This Spooky: Marital Expectations, Gender Roles, and Regional Dialect in Sophie Kerr’s “His Mark”

By Riley Dauber ’25

Setting, Class, and Gender in Mansfield’s “The Garden Party”

By Lucy Verlaque ’25

Featured Artist: Elizabeth Fitzpatrick ’26

Religious Belief as a Strategic Tool of Inducing Empathy in the Slave Narrative of Mary Prince

By Charlotte Becker ’26

What is Love?

By Kyla Trinidad ’26

Grace Hogsten ’25, Editor-in-Chief

Logan Monteleone ’27, Managing Editor

Jessica Kelso ’27, Associate Editor